Write what you know???

One of the very first pieces of advice I ever heard regarding writing fiction was the simple statement: "Write what you know."

Okay, sure, on the surface it seems simple. Logical. Then follows the assumption that the only way to truly know something is to have lived it. Ah, yeah... I really don't think anyone wants to read about a stay-at-home mom with five kids. Hey, I could be wrong, but my life is not that interesting. Happy, but rather dull -- just the way I like it. ;)

So, does this mean if I haven't been an astronaut or a CIA agent, then I probably won't write a believable story about either? Okay, no, I do not plan to write anything set at NASA and I've done the later already... SECRETS AND SHADOWS. But I've never been a secret agent. I truly doubt any of the writers who have penned a romance including a spy hero or heroine ever worked for the FBI. I could be wrong.

If you do enough of the right kind of research, as a writer you should be capable of creating anything and making your reader believe in it. I've never been to Ireland, but I wrote a story set there -- ALAINA'S PROMISE. Reviewers and readers alike praised the book. One wrote how she 'fell in love' with the country and its people by reading that novel.

That was a case where my research combined with talent paid off. :) Does that mean I hit the mark? In some ways, yes. But few readers have ever been to 1870s Ireland, so I doubt I'll ever know how accurate my descriptions were.

All this said, I do feel there are some things you cannot simply read about and then write well. The foremost would be emotions. If I had never been in love, I'm not sure I could ever write a romance. Maybe I could read someone else's book and then repeat back the sensations and feelings conveyed. But even then, using my own words, I don't think it would ring true. You have to understand or have felt something before you can describe it to someone else. Otherwise, it's like trying to explain snow to someone who has never seen it when you've only seen it in a picture. You're missing way too much.

Yes, there are many other emotions involved in my writing. Despite popular opinion, romances are not all about the sex.

There's anger, deep hatred, lust, fear, greed, envy, sadness and depression. I have experienced each and every one of them -- plus others -- at some point in my life. Therefore, yes, I can write a murder scene and make you feel the anger of the killer or the fear of the victim. Have I ever killed anyone? Obviously not -- unless you count the occasional insect or two. But I have a basis in understanding those feelings I think might be involved. I can and do imagine the rest.

So I will add my own two cents of advice to the sage: "Write what you know." ... Go out and experience life. Find out what it's like to be a true friend; to fall in love. Discover every positive emotion ... and learn to control the destructive ones. But learn to feel... for without feelings, there is little point to living or writing.

Then when you want to write a story... a really good story... you'll understand your characters more thoroughly, and even the most mundane setting or character can be made riveting and real. Almost anything beyond your normal experiences can be found during research. A true writer can imagine or create the rest.

Show and tell blogging...

I blogged this evening over at Beyond the Veil.

What's in your favorites and history? Do you dare tell?

It's in the cards

Years ago people used to say: "Write what you know." The philosophy was if you didn't have an intimate association with the subject -- or a PhD on it, anyhow -- you shouldn't write the book.

Well, that's a bit limiting, don't you think? If we all went by that advice, I can tell you at least half the secret agent; billionaire; cowboy; time-travel; and vampire romances would disappear from existence. Especially the latter.

We can't stick to what we know, but we can learn enough about a subject to write credible stories. Say it with me now: research. Have I mentioned I really don't like this part? :P It takes so much time away from the fun stuff of creating worlds, manipulating characters, etc.

For my current wip, BROKEN, I discovered there's a crucial scene involving my heroine having her future revealed by a friend. Until I got to this point in the story, I hadn't realized just how vital this scene will be. When I first mapped out the book, it was only a stepping-stone to the next scene, but now...things have changed.

I've had some small experiences in my former life with Tarot cards, but not enough to write a believable reading. Sure, I could try to fake my way through it -- after all, everyone has their own style and there are hundreds of different decks of cards these days. But I just know someone, somewhere, would notice if I goofed. And they would, understandably, complain. Or even go so far as to write a bad review or, worse yet, never buy another book from me! All this because I stepped outside my comfort zone without a net or a clue.

So, I bought a book that explains the basics. Hopefully I can draw enough from that -- and long-ago memories -- to create a plausible scene. My heroine needs this guidance; she needs a wake-up call, to be honest. And who better to give it than the best friend with her own special gift? ;)

Almost done... on to the next murder, a little mayhem, the black moment and our Happy Ending.

Just the facts...and then some.

I'm in the midst of writing a short story and I've discovered I now have to go back to finish my research. Oh joy.

I'd rather be writing, honestly, but I know the story will suffer if I try to fudge the facts even a little. Sure, as writers we have the liberty to 'make up' people, places, crimes, fashion... hell we can create entire worlds and realities! But for this story -- a paranormal, historical romance with suspenseful elements -- I need facts. Dates. Places. Even names. I need a sense of the environment and culture of the time. All this goes into making a story -- yes, a fictional story -- seem more real to the reader.

Can I tell you a secret? You've probably figured it out already, but I HATE this part. If I were a wealthy woman I'd hire someone to do the ground work for me. Seriously. Let some poor flunkie sift through the mounds of info and verify the truth from total fiction or speculation. That alone would save hours of my time. Like I said, I'd rather devote those hours to creating the story.

But even a small fortune wouldn't get me out of all the research. I'd still have to jump in and look at the information for myself. As a writer, you're lucky to use even half of the info you come up with in the actual story. If you use too much -- particularly in historical -- the reader's eyes can glaze over and you've lost them. It's all about balance.

But you cannot write about something if you don't know it or understand it. Remember, I didn't say "write what you know", that's very limiting. What I am saying is you have to know what you're writing about. You have to learn about it.

Being a writer is more than stringing words together in a decent fashion. It's so much more. It involves imagination, creativity, long-suffering, diligence, an open mind, and constant learning and growth. Even if it's that stuff, like Algebra, that leaves you wondering: "Will I ever need this?".

Um, probably not. But do it anyway. ;)